Other Temples

Madana- Mohan temple and Navneet Priya are connected to the main temple of Sri Nathji. Navneet means “butter” and priya means “dear”, so Navneetpriya means “one who is fond of butter.”

Vitthalnath Temple is just opposite the entrance of the Sri Nathji temple. This deity used to be located at Gokula, in Vrindavana.

Banamali Temple is a Krishna temple located to the right of the main entrance of the Sri Nathji temple.

Festivals and Rituals at the Temple

The Shrinathji temple at Nathdwara celebrates, on an average, three festivals in a week. As regards to daily routine, the inner sanctum is opened 8 times a day for the devotees undertake sacred darshan of the deity. Very elaborate and complex rituals have emerged around the worship of Shrinathji due to confluence and inter-mixing of cult of Krishna as well as that of Pushti Margi Shri Vallabhacharya. The main attractions of Shrinathji are the Aartis and the Shringar, i.e. the dressing and beautifying of the deity of Shrinathji, treating it as a living child, adorning it with the appropriate dresses commensurate to the time of day or night. The formal prayers are offered with diya, flowers, fruit and other offerings, with local instruments and devotional songs of the Shrinathji, according to the demand of the time and occasion. The view of the deity after the parda (curtain) is removed is called jhakhi.

The priests in the Havelis of Shrinathji are believed to be from the kul (descendants) of Vallabhacharya, , the founder of this deity at Govardhan hill, near Mathura. Presently, Shrinathji is worshiped by priests from this kul (genealogical descendants) of Vallabhacharya, in all Havelis around the world, which have also been established exclusively by them. Devotees throng to the shrine in large numbers during occasions of Janmashtami and other festivals, like Holi and Diwali. The deity is treated like a living image, and is attended with daily normal functions, like bathing, dressing, meals called “Prasad” and the resting times in regular intervals. Since, the deity is believed to be a child form of Krishna, special care is taken and attention is given to the deity.

Daily Ritual of 8 Darshans

Gopas and Gopis of Vraj

The gopies of Vraj used to love the Lord so much, they would be at Yashoda’s door at all hours, finding any excuse to see their beloved Nanda Gopal. Mother Yashoda was very protective of her darling child. Concerned that with all these adoring gopis, hanging around her house at all hours of the day, her darling child will never get any time to rest or play properly with his friends. So she decided that all those who wish to visit her beloved BalaGopal, could do so after he had finished a snack or a meal, and had enough rested.
Taking a legend as his cue, Srila Vallabhacharya decided to open the haveli, his own version of the Nandalay (House / Palace of Nanda, foster father of Lord Krshna), at specific times of the day only. Acharya set aside eight times of the day when the doors of the inner sanctum would be left open for the people to catch a glimpse (“jakhi”) of the Lord. Rest of the time, the Lord was allowed to go out and play with his friends – gopas and gopies of Vraj.

Sequence of Eight Darshans

The sequence of eight darshans are set out below.

  1. Mangala: First darshan of the day. Lord, having woken up, has just had his breakfast and greets his devotees with the most “auspicious” darshan of the day. This darshan usually occurs at dawn.
  2. Shringar: Having bathed and dressed her little darling, Mother Yashoda allows everyone to adore her baby. After this darshan, the Lord goes out to play with his friends.
  3. Gval: Having had his mid-morning snack, the Lord is about to go out to herd the cows of Nandaji. Lord is worshipped by reciting His thousand names and the sacred tulsi (basil) leaves are offered with each name.
  4. Rajbhog: After his mid-day meal, the Lord is resting in the comfort of Nanadalay. Lord is often most regal and resplendent for this darshan. Fresh garlands and lotuses are offered to the Lord. The arti, Lord plays chopat, an ancient board game or version of chess to while away the hot afternoon.
  5. Utthanpan: Lord has just woken up from his afternoon siesta.
  6. Bhog: Having had his afternoon snack, the Lord is about to go out to play again.
  7. Sandhya: As the sun dips over the western horizon, the Lord returns with the herds of Nandaji and the gopies come to see their beloved. Mother Yashoda wards off any evil that may have befalled her darling in the woods of Vraj, by doing an arti and the Lord bathes for the evening meal.
  8. Shayan: Having had his dinner, the Lord is about to go off to his bed chamber. This is the last public darshan of the day.

The outline of darshans given above is a general layout. Over the centuries, different Goswamis have interpreted the “bhavas” and “lilas” differently, resulting in a mixture of oral and ritual traditions followed by the various havelies of Pushti Marg. For example, the Shrinathji, having left his beloved Vraj, misses it so dearly, that for six months of the year, he runs back to Vraj for the shayandarshan. So, from Mangala to Sandhyaarti, the Lord is reckoned to be in Nathadwara. After the arti, he rushes over, in his spiritual form, to play with the gopis of Vraj. Hence, Shayanarti takes place at Mount Govardhan for the warm half of the year. During the cold months, running over to Vraj is not such a practical option, and hence the shayandarshan takes place at Nathadwara. Here the bhava of gopijan’sviraha and Raasa-Rasika’s unique lila are of paramount importance.

A Well of Ghee

Prasadam

Another important part of seva is giving things to the Lord. In front of the temple early in the morning, you can buy milk, flowers, vegetables, and fruits and bring them into the temple to offer to the Lord. People also give lots of money. People also give ghee and grains. Most of the food prepared for the Deity is cooked in pure ghee. People give ghee in cans of ten, fifteen, or twenty kilos. Sometimes a whole train car full of ghee arrives in Nathdwara. The donor often prefers to stay anonymous. The shipment is simply marked, “From Srinathaji. To Srinathaji.”

The temple has a literal well of ghee. Cans of ghee are cut open and slightly heated, and the ghee is poured into the well. A pipeline extends from the well to the Deity’s kitchen ghee on tap. Ghee, of course, is expensive. But money is no bar in the worship of Srinathaji.

In the grain stockroom, everything is very orderly. All the grains that come in and go out are recorded. And when it goes out it goes only to the kitchen of Srinathaji. Nothing given is ever resold in the market. It’s all used in the service of the Lord.

The temple has many storerooms that pilgrims can see. One room is for keeping the Lord’s clothing and jewels. Another room, just opposite the temple, is called Sri Krishna Bhandar, “SriKåñëa’s Storeroom.” (It’s named after KåñëaDasa, the first manager of the temple.) This is the treasury and accounting office, and it’s where gold, pearls, saffron, and expensive clothing are kept.

There’s a room for flowers. There’s a tailoring room where clothes are sewn for the Lord. Another room holds gold and silver pots. There’s a rose room, where rosewater and rose scents are prepared. And there’s a room where books are on hand, spiritual teaching is given, and new publications are put out.

There’s a room for vegetables, a room for milk, cream, and butter, and a room for misri (rock sugar). There’s a grinding room for grinding grains (it’s still done with a big wooden mill, powered by bulls). Then there’s a room where the ingredients for the Lord’s meals are assembled before they are prepared and offered, and a room where offered food is kept just before it’s distributed.

No one goes hungry from here. The prasadam from the Deity is distributed profusely. A portion of the prasadam goes to the sevakas and temple workers, many of whom sell it. Right after the early-morning mangala-arati you’ll find püjaris standing just outside the temple, holding steel plates bearing clay cups full of different kinds of liquid milk sweets. Later in the morning, püjaris go around to hotels and dharmashalas with covered baskets full of varieties of prasadam to sell to pilgrims.

Apart from the püjaris, in the bazaar outside the temple you’ll find shops where you can buy prasadam, and pushcarts selling prasadam, and people sitting on the street selling prasadam.

In Caitanya-caritamrita, we find that the Deity Gopala, the same Deity known as Srinathaji, told Madhavendra Puri, “In My village, no one goes hungry.” Now, here in Nathdwara, where Gopala has come, we see that this is true. Even the street dogs here are fat. Prasadam is available all through the day, and in countless varieties different kinds at different times. After the midday raja-bhoga offering you can get a leaf-cup full of tasty vegetables for only one rupee (less than the cost of the ingredients themselves). You can get a leaf-cup of achar (pickle), again only a rupee. There are many kinds of chutneys, fruit salads, and a unique raita made with chopped fruit in thin yogurt spiced with mustard seeds. There are big chapatis full of ghee for two or three rupees, depending on the size. You’ll find rice, dal, curry sauce, fried vegetables, and samosas so huge that one is practically enough for a meal.

Then there are milk sweets and sweets made with grains and sugar, rich with ghee. You can buy big blocks of laddu, made with grain, ghee, and sugar, for a hundred rupees. Some sweets include such costly ingredients as musk and saffron. People don’t haggle much over prices. Whatever the shopkeepers say, people just accept it, and that’s all that.

Items like grain sweets and sugar-crusted fried puris keep for months without losing freshness. A pilgrim travelling abroad from Nathdwara may bring prasadam of Srinathaji to his friends overseas. Like the Deity Himself, the prasadam of Srinathaji is famous all over the world.

Nathdwara Town

Nathdwara Town

Nathdwara is a town that lives around its Deity. It’s a small town. You’d find it hard to say what the actual population is. When you ask people they give you different ideas, but I would guess around twenty thousand, though there must be an equal or greater number of visitors. Many of the people who live here are priests, temple workers, and merchants who sell flowers, fruit, and vegetables to offer to the Deity.

Then there are those who sell prasädam and pictures of the Deity, others who sell tape cassettes with devotional songs, and others who cater to the needs of pilgrims by providing hostels and hotels, buses, auto-rikshas, and so on. Nathdwara has every-thing a good-sized town should have, but somehow or other nearly everything is connected with the Deity.

The standard greeting here is “Jaya Sri Krsna!” (“All glories to Lord Krsna!”) All about, you’ll see written the words “Jaya Sri Krsna!” Sometimes you’ll also see the mantra of the Vallabha Sampradäya, SrikrsnaSaranam mama (“Lord SriKrsna is my shelter”). In Nathdwara the Hare Krsna movement is well known, so often people greet us by saying “Hare Krsna!”The Rajasthani villagers in Nathdwara stand out brightly. They’re a lively, robust people, with their own language, their own food, and their own traditional dress. And they’re deeply devoted to Lord Srinäthaji.

Early in the morning, a Rajasthani milk seller calls out in a deep, gutsy voice, “Jaya SriKrsna. Jaya VaàSidhäri.” The high-powered devotion of the Rajasthanis and the gentle devotion of the Gujaratis makes an interesting contrast.
At quarter after five in the morning, a shenai band playing over loudspeakers calls everyone to the temple for mangala-ärati, the early-morning greeting of the Lord. The band itself sits on the arch above the main entrance to the temple, playing musical instruments and chanting. The sound creates a spiritual atmosphere as you walk in.

Until some years ago, foreigners were not allowed into the temple, but now they are. In any case, members of the Hare Krsna movement have always been welcome.